(1-9-23) Cosima's Abstract Art here
(1.15.20) The museum in Paris public domain collection here
(5.2.19) The different types of W/N Liquin medium Here
(4.19.19) How to apply GoldLeaf Here
(3.22.19) Underbinding with Acrylics Here
(10.26.18) Lifting watercolor with lifting solution Here
(9.92.18) A good article on pigment here
(8.11.18) Permanance of pigment Here
(7.21.18) What is sgraffito? Answer
(6.22.18) Mix Brown Here
(5.24.18) Grisaille Grisaille
(2.4.18) How Derwent Pencils are made Here
(2.3.18) Fat over lean Here
(2.3.18) Learning about different greys in watercolor Here
(1.26.18) Scumbling Here
(1.19.18)Removing unwanted brush marks Click
(1.5.18) Understanding oil mediums Click
(9.22.17) Understanding Oil blacks here
(8.28.17) Transparent vs. Opaque Here
(8.14.17) The art of glazing -W&N Here
(8.7.17) This is an interesting treatment for vine charcoal Here
(8.4.17) Do you like these paintings? See them
(7.5.17)Do you want to look at a complete list of artists and see examples of their work? From Bierstadt to Zorn Here
Here is a link about paintmaking. Here
Here is a short video about oil blacks Here
Calligraphyfrom W/N click here
Using Liquin for Impasto and Oliopasto Here
One of my favorite moves in W/C -wet in wet. here
W/N presents a video on opacity vs. tranparency. Here
Professional and Student grade difference
Here is a nice video showing the difference in WN oil and Winton oil. here
W/N presents another MasterClass -explaining Prussian Blue Here
W/N Masterclass - Benefits of adding Gum Arabic to watercolor here
The "Look at" stage of a painting Here
Watercolor - layering example Here
Gamlin oil presents color - Great article on color